As Pinnell put it, “I wrote this out of gratitude and finding peace without religion.” Indeed, his sophomore effort finds Pinnell exploring different themes and adopting new points of view compared to the relative starkness of his debut. The music, too, builds upon the foundation laid down previously with plenty of twang ‘n’ strum, classic country stylings that at least one observer has likened to “if Waylon Jennings had cut a record with Alex Chilton” (Portland Tribune).”
